Pull some items off the rack at boutique fashion chain Incu and you might find a black tee for $390, or a white tank top for $270. A nude-coloured sheer dress will set you back $1135. A pair of brown sweatpants? $695.
Itโs the details that make the difference. The black tee has a gathered bust and a bow, and the white tank, from Jean-Paul Gaultier, has buckles like overalls. Irish designer Simone Rocha is behind the sheer dress, while the sweatpants are from Eckhaus Latta, a label from New York that ignores traditional gender lines.
โThe best compliment we had was a guy who said, โI love the store so much I donโt tell my friends where I buy my Tโshirts โ I donโt want them wearing the same onesโ,โ says Vincent Wu, who co-founded Incu alongside his brother, Brian, in Sydney in 2002.
Whereby once a stylish young lawyer may have splashed out on an evening dress from David Jones, now they are spending at one of Incuโs 13 stores across Sydney, Melbourne and the Gold Coast. There, most of the pieces are essentially streetwear, sourced from contemporary designer labels from around the world.
But the fight to hold the modern consumerโs attention, splintered and diverted dozens of times a day across multiple devices, has never been more intense. International and domestic brands have proliferated, online shopping is surging, and traditional retailers from Noni B in Australia to Saks Fifth Avenue in the US have gone broke.
Then there are the artificial intelligence-driven algorithms of ultra-cheap fast fashion giants Shein and Temu that have gained market share at a blinding rate, driving a race to the bottom in some parts of fashion retail.
Yet customers such as Ayu (who declined to share her surname) are still coming to Incu. The 26-year-old chef had just bought a $1300 handbag from Incuโs store at The Galeries in central Sydney that her father had found during a previous shopping trip in Melbourne.
โI donโt know what the brand is, but I thought itโs cute for my mum, so I grabbed it today,โ says Ayu. โI came here and I saw it โฆ Iโm so happy.โ
A regular Incu shopper, Ayu enjoys browsing the latest drops from cult international brands A.P.C., Maison Kitsune and Maison Margiela among others.
Her best friend, Nat, who was visiting an Incu store for the first time, says she has also become a fan. โI feel like you should know your style when you go there,โ Nat suggests. โBut it also opens up your horizon as well.โ
Old-style department stores, she says, are โfor the massesโ. โDavid Jones and Myer have a certain collection that you can find everywhere else.โ
Despite being able to shop anywhere, any time, customers are returning to Incu for something fashion retailers are desperately trying to cultivate: a sense of cool.
Itโs not something that can be found in the data. โIn fashion, if you stand still, you let everyone pass you. The spreadsheet tells you the past. Your gut tells you where you should go next,โ Vincent says.
โWe donโt want to be one of those stores that once was cool and then, like, the owner got a bit older and then lost the relevance.โ
Brick by brick
Born in Hong Kong, Brian and Vincent Wu grew up with a shopaholic mum and inherited an appreciation for the theatre of retail.
Australiaโs fashion landscape was, in the early 2000s, still mostly insular: shopping centres were dominated by a handful of brands such as Jay Jays, Just Jeans and Cotton On. Most were local. International brands such as Zara and H&M had yet to land Down Under; the department store reigned supreme. The dot-com boom had just bust, driving retailers more adamantly back towards bricks and mortar.
โBack then, I thought there was no one doing interesting things,โ Brian says. โAnd so we just, I think, broke every rule.โ
Brian, who was drawing up business plans in his management consulting job, created one for Incu โ short for incubator โ which is what the twins envisioned the little retail outlet in The Galeries would be for up-and-coming local global fashion brands. To find clothes to fill the store, Brian and Vincent flew to Los Angeles, where they rode the elevator to the top floor of designer showrooms and knocked on every door.
โWhen youโre that young, youโre naive enough to do it. You just have that confidence,โ Vincent says. โI think they let us in because weโre from Australia. โOh, youโve travelled this far. Weโll let you in, have a look.โ We would never do it this way now. We picked up a few brands that way.โ
โWe were very nervous for a long time, but the reception has been so good.โ
Incu co-founder Brian Wu
It took years for the Wu twins to nail their niche. Become too mainstream and Incu would its edge; become too edgy and the chain would end up inaccessible.
โWe never wanted to be mass market or fast fashion, and we never wanted to be luxury and stuffy. We always wanted to sit in between,โ Vincent says.
Nailing Incuโs core demographic is less about customer profiles or age than mindset. โIt can be a 17โyearโold or a 70โyearโold,โ Brian adds. โThey love interesting design and quality, and theyโre looking for something different.โ
Itโs hard not to suspect, though, that their shoppers skew towards the younger โ but not so young that they cannot afford a $1485 plain grey jacket from Stone Island โ end of that range.
โYou shouldnโt just chase big salesโ
Fashion is, by nature, transient: silhouettes, products and brands perpetually fall in and out of style. The cost of overheads such as rent and wages are only increasing.
Incuโs revenue for the 2024 financial year came in at $58.9 million, an increase of 2.9 per cent, its latest report filed to the corporate regulator shows. It posted a loss of $2 million, most of which was attributed to compliance with accounting standards that factor in leasing interest expenses. Excluding this, losses were closer to $400,000, figures provided by the company show.
A year earlier, underlying operating profits for financial year 2023 were $1.6 million. The company has returned to profitability in fiscal 2025, Brian says.
โBecause our market is so concentrated, itโs more about optimising it, making it as efficient as possible because your overheads are all going to exist anyway,โ he says.
โYou shouldnโt necessarily just chase big sales. Itโs more about, how do you make it so efficient that you run it really profitably?โ
To this end, Incu has evolved from being a multi-brand retailer to a vertically integrated company: it operates two standalone stores apiece for minimalist Parisian label A.P.C. and Copenhagen-based label Ganni.
A key focus for the Wu brothers is growing its in-house label, Incu Collection, launched in 2018, which the duo were initially a little apprehensive about.
โOur customers want to see brands that we discover or pick up from overseas, but do they want our take of it? We were very nervous for a long time, but the reception has been so good,โ Brian says.
The retailer-designed collection of elevated basics comprises 12 per cent of clothes in store and is part of a broader trend among retailers to own a bigger slice of what they sell: designing and selling products in-house means greater control, higher margins, and the ability to adapt more quickly to trends. Then there is Incu 1976, a line of menswear made from Japanese fabrics designed by Brian and Vincent themselves, for themselves.
There is a risk in these brands, however: high-end fashion labels donโt want their clothes in stores that are going to overwhelmingly favour house brands and shunt their wares to discount racks or pokey corners.
The twins are adamant that their in-house brands will never take over the store.
โIncu is an umbrella,โ Vincent says. โOur job is to make sure that people fall in love with Incu, and then whatever we stock underneath it is a revolving door of interesting brands.โ